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A
fiction and nonfiction generalist editor
for over forty years, I do in-depth,
problem-solving editorial critiques.
Other editorial services include
cutting, restructuring, rewriting, and
line editing. I also develop, critique
and edit fiction and nonfiction
proposals. My editorial suggestions
point out what works in the manuscript,
and offer solutions to any problems I
see. My comments are made in the margins
of the manuscript, and then recapped in
an accompanying report. I encourage
questions and comments after the author
receives the critique. My goals are to
help the author write to the best of his
or her ability, teach writing skills
valuable not only for the current
manuscript but for those to come, and to
make the manuscript as effective and
salable as possible.
I edit and critique all areas of
mainstream fiction except category
romances, westerns, Science Fiction and
Fantasy and children’s books. I edit and
critique all areas of nonfiction except
finance, sports, religion and
inspiration.
FICTION AREAS IN WHICH I SPECIALIZE:
Commercial mainstream novels,
historicals, YA fiction with a male
protagonist, literary novels, gay
fiction, mysteries, thrillers,
espionage, adventure and other genres of
male-oriented escape fiction.
NONFICTION AREAS: Memoirs, the art and
craft of editing, writing and
publishing, popular health, medicine,
psychology, personal relationships,
business psychology, politics, history,
social issues, movies, TV, theater,
print and other mass media.
I am the editor of EDITORS ON EDITING:
WHAT WRITERS NEED TO KNOW ABOUT WHAT
EDITORS DO. Grove-Atlantic published the
completely revised third edition of EOE
in 1993. First published in 1962, it has
become the standard work on trade book
editing in our country, used in
publishing, editing and creative writing
courses and at writers’ conferences. In
1991 the book was published in Chinese
in China and Taiwan, and is used to
train editors at the Chinese Publishing
Institute.
CAREER HISTORY: VP and Editorial
Director of Paperback Library; VP and
Editorial Director of Warner Books, VP
and Associate Editor in Chief of New
American Library, Editor in Chief of
Everest Books, Senior Editor of Dodd,
Mead & Company. During my career I
created the Gothic Romance and Regency
Romances as paperback categories (which
endure to this day), created the first
TV/Paperback tie-ins, and introduced
Edgar Cayce and Georgette Heyer to
paperbacks.
WRITER’S CONFERENCE APPEARANCES: When
not editing and critiquing, I create and
give presentations on editing and
writing and publishing at writers’
conferences and universities.
SOME COMMENTS ABOUT
MY EDITORIAL SKILLS FROM AUTHORS WITH WHOM I HAVE
WORKED
“Jerry Gross
provided editorial help, sage advice and
cheerleading. He taught me how to write without
telling me what to write. It is one of the most
generous gifts I have ever received from another
human being.”—
Bruce Roseman
“My profound thanks
and appreciation to Jerry Gross for his genius
with plot and characterization, and for never
settling for the simple solution.”
— Jan Neuharth
“I want to thank
Jerry Gross, the Editor’s Editor, for his
invaluable help in shaping and refining my
writing, as well as playing the role of father
and advisor.”—
Anthony A. Goodman
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